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Haydn Piano Pieces - Piano Variations
เพิ่มเมื่อ: 2018-05-15 12:56:44.0
แก้ไขล่าสุด: 2018-07-19 10:52:38.0
piano
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- Filter-PianoALL:ALL, Classical:ALL, Classical:Composer H-Z
- No
- CategoryPiano Classical
- PublisherG. Henle Verlag
- CodeHN224
- ISBN9790201802244
- UPC
- SeriesUrtext
- FormatBook
- Artist/AurthorJoseph Haydn
- Weigth (G)510
- Width9.3"
- Length12.2"
- Pages129
- Retail Price1100
- Wholesale Price1100
- ImageHN224
- Sample Content
- StatusIn Stock
- Remark
- Song ListHaydn: Adagio (after Hob.I:79II) Haydn: Adagio in F major, Hob.XVII:9 Haydn: Adagio in G major (after Hob.I:93II) Haydn: Adagio in G major (Original Version of Hob.XV/22II) Haydn: Allegretto after the overture from "La vera costanza" Haydn: Allegretto and Presto in G major (after Hob.III:41IV) Haydn: Allegretto in G major (after the aria Io son poverina from "La vera costanza") Haydn: Allegro after the Introduzione from "La vera costanza" Haydn: Andante (after Hob.I:53II) Haydn: Andante (after Hob.I:81II) Haydn: Andante & Variations in F minor, Hob.XVII:6 (Sonata - un piccolo divertimento) Haydn: Andante con variazioni in D major, Hob.XVII/7 Haydn: Andante in C major (after Hob.I:94II) Haydn: Capriccio in G major "Acht Sauschneider m?ssen seyn", Hob.XVII:1 Haydn: Fantasia (Capriccio) in C major, Hob. XVII:4 Haydn: Menuett (after Hob.I:85III) Haydn: Menuett in C major (after Hob.I:97III) Haydn: Romance (after Hob.I:85II) Haydn: String Quartet, Op. 74 No. 3 in G minor 'The Rider': Largo Assai Haydn: Theme and Variations in C major, Hob.XVII:5 Haydn: Twenty Variations in G major, Hob.XVII:2 Haydn: Variations (12) in E flat major, Hob.XVII:3 Haydn: Variations on 'Gott erhalte Franz, den Kaiser' in G major (after Hob.III/77ii)
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The works in this volume show the development of keyboard instruments in an exemplary manner: the early works were intended for harpsichord, two of which were for an instrument with the so-called �Viennese bass octave�, which enabled the musician to play chords larger than a hand span with one hand. In our edition, these passages have footnotes with suggestions on how to play them. The pianoforte was the inspiration behind the later works. Haydn was also happy to arrange his own compositions for piano, as with the �Largo assai� from the �Reiterquartett�. Christine Schornsheim, a specialist in historical performance practice, provided fingerings for this completely revised and extended Urtext edition.?
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