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Mendelssohn Bartholdy 7 Character Pieces op. 7 / Six Children's Pieces op. 72

 เพิ่มเมื่อ: 2018-02-06 23:50:25.0
 แก้ไขล่าสุด: 2018-05-16 11:14:43.0

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piano
  • No358
  • CategoryClassical
  • PublisherBarenreiter
  • CodeBA9083
  • ISBN9790006535798
  • SeriesB?RENREITER URTEXT
  • FormatBook
  • Weigth (G)450
  • Width12.0"
  • Length9.0"
  • Pages89
  • Retail Price980
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  • ImageBA9083
  • Sample Contentuserfiles2/form-upload-file/36804/03388100-995f-4df8-8153-67a6130f6b26/BA9083 (1).jpg
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  • Song ListVorwort / Preface ? Sieben Charakterst?cke Opus 7 (Fassung des Erstdrucks / Version from the First Edition): ? Sanft und mit Empfindung ? Mit heftiger Bewegung ? Kr?ftig und feurig ? Schnell und beweglich ? Ernst und mit steigender Lebhaftigkeit ? Sehns?chtig ? Leicht und luftig ? Sechs Kinderst?cke Opus 72 (Fassung des Erstdrucks / Version from the First Edition): ? Allegro non troppo ? Andante sostenuto ? Allegretto ? Andante con moto ? Allegro assai ? Vivace ? Anhang / Appendix: ? I. Autographe Fassungen der Charakterst?cke Opus 7 Nr. 1, 2 und 4 / Autograph Versions of the Charakterst?cke Opus 7 nos. 1, 2 and 4: ? Andante ? Allegro vivace ? Con moto ? II. St?cke aus den Notenalben f?r Eduard und Lilli Benecke (1842) / Pieces from the Albums for Eduard and Lilli Benecke (1842): ? 1. Aus dem Notenalbum f?r Eduard Benecke / From the Album for Eduard Benecke: ? Allegretto (op. 72 Nr. 3, Fr?hfassung / Early Version) ? Andante ? Allegro assai (op. 72 Nr. 5, Fr?hfassung / Early Version) ? Sostenuto [Erstausgabe / First Edition] ? 2. Aus dem Notenalbum f?r Lilli Benecke / From the Album for Lilli Benecke: ? Allegretto (op. 72 Nr. 6, Fr?hfassung / Early Version) ? Andante con moto (op. 72 Nr. 4, Fr?hfassung / Early Version) ? Andante sostenuto (op. 72 Nr. 2, Fr?hfassung / Early Version) ? Con moto (op. 72 Nr. 1, Fr?hfassung / Early Version) ? Critical Commentary
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The � Charakterst?cke op. 7� and � Kinderst?cke op. 72� are Mendelssohn�s most popular piano albums besides his �Lieder ohne Worte � and the �Variations s?rieuses op. 54�. Robert Schumann described the character pieces as an �interesting contribution to the development� of the �masterful youth�. The compositions mostly dating from 1827, are essentially the result of his lessons with Carl Friedrich Zelter in Berlin . The teacher encouraged his pupil to immerse himself in the strict style of old music�, in particular Johann Sebastian Bach, but at the same time, as he himself said, confidently allowed Mendelssohn to dream of �dragons and goblins�. In the 19th century, learning the piano was regarded as a highly desirable accomplishment. The demand for piano lessons for children led rapidly to the development of a repertoire suitable for this age-group. Albums for children were particularly popular around the mid-19th century and were popular presents for children�s birthdays, Christmas and other occasions. Mendelssohn�s � Kinderst?cke op. 72� were published in London in 1847, the year of his death, under the title �Christmas Present for His Young Friends�. The edition contains both piano cycles in the versions published in the first edition, and an extensive appendix also includes variants and early versions which survive in different autograph manuscripts

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